This poem also contains profound inspirational meaning of continuing dreams and inheriting missions. Flowers symbolize a beautiful ideal and pursuit. Maybe we once had dreams and tried to bloom, just like blooming flowers, but when we are faced with a stage of "fading", that is, when our dreams are frustrated and our plans are blocked, we should not give up. Turning red flowers into spring mud means that we can pass on unfinished dreams and unfinished missions in another way, and help others to realize similar dreams, so that those "flowers" carrying hope and beauty will continue to bloom in the latecomers. It reminds us that each generation has its own mission. We should draw strength from the "falling red" of our predecessors, and at the same time, we should make ourselves the "spring mud" that nourishes the younger generation, so that our dreams and missions can flourish in this inheritance. No matter how the times change, we should always pursue our ideals persistently, and contribute to the continuation of our ideals with practical actions, so that the trajectory of our lives will become thicker and more powerful due to inheritance.Positive mentality and value remolding in adversityPositive mentality and value remolding in adversity
-The artistic conception is profound and long: the poem creates a unique artistic conception that is both sad and full of hope. Starting from the picture of falling flowers flying, it is a slightly sad scene brought by dying and disappearing, which makes people seem to see colorful petals rustling in the wind, silent and lonely. This is the presentation of the real scene in front of them and lays a certain emotional tone. However, at the turn of the conversation, the imagination of the fallen flowers melted into the soil and turned into nutrients to nourish the new flowers, which added a touch of vitality and hope to this picture, making the whole artistic conception flow between decline and rebirth, disappearance and continuation, with endless charm, so that readers can expand their thoughts and immerse themselves in this profound and poetic situation in the process of reading."Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem:Cultural connotation level
Structural action level-Deep feelings: This poem is full of the poet's strong feelings. Gong Zizhen was in the late Qing Dynasty, social unrest, political corruption, his career was not smooth, and he resolutely resigned and left Beijing. In the poem, there are both reluctance and attachment to the court and country that they have dedicated for many years, just as the fallen flowers are reluctant to give up on the branches; He also expressed his determination to continue to cultivate talents for the country and contribute to social development through other means, such as using his own thoughts, knowledge and pens, although he left the officialdom. His patriotism and responsibility are all in it.-The key link between the preceding and the following: This sentence plays a vital role in the poem "Ji Hai Miscellaneous Poems No.5". The poet described his resignation from Beijing and bid farewell to the land of many years of life and official career. It was a complex emotion intertwined with disappointment. "The mighty sorrow leaves the sky, and the whip refers to the end of the world" outlines the picture of parting and the sad mood. However, "Falling Red is not a heartless thing, but turning into spring mud can protect flowers more" skillfully inherits this parting, further visualizes one's complex emotions through falling red flowers, and at the same time opens the following chapter, expanding from simple personal emotion expression to expressing one's lofty ambition to contribute to the society despite being far away from officialdom, so that the emotional context and ideographic level of the whole poem can be promoted coherently and deeply, and the structure is very compact and natural.
Strategy guide 12-13
Strategy guide
12-13
Strategy guide
12-13